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Channel 4 Film Blog

Channel 4 Film Blog

During the four years of the research project ‘Channel 4 and British Film Culture’ (2010-2014) a number of writers contributed blogs on aspects of Channel 4’s film activities. Here’s a selection.

Adventures in Cult Cinema: Richard Stanley’s Dust Devil (1992)

Publish: 16 September 2013
Following on from Ieuan Franklin’s excellent blog which discussed such mind-bendingly psychedelic Films on Four as Born of Fire (Jamil Dehlavi, 1987), Shadey (Phillip Saville, 1987) and Silent Scream (David Hayman, 1991), I felt that a blog needed to be dedicated to one of the channel’s most interesting commissions; Richard Stanley’s Dust Devil. The film […]

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Film4 FrightFest:

Publish: 11 September 2013
Branding and Sponsorship within Britain’s Premier Horror Festival A Guest Blog by Simon Hobbs, PhD Research Student at the University of Portsmouth This year’s Film4 FrightFest marked my first venture to the festival. A lifelong fan of horror cinema with an academic interest in paratextual branding, a trip to the Film4 FrightFest provided the perfect […]

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Psyched-Up: Mind-Bending Films on 4 (1987-1992)

Publish: 4 July 2013
With the recent unprecedented multi-platform release (5th July 2013) of Ben Wheatley’s A Field in England, which has been variously described as “a psychedelic Western” (Sound on Sight), “a psychedelic Civil War-era chiller” (Movie Mail) and “a psychedelic trip into magic and madness” (Film4), it seems like a good opportunity to take a trip back to reassess […]

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Kate Iles – Challenging Times on Channel 4

Publish: 16 May 2013
In September 1992 Channel 4 put an ad in Broadcast calling for a production company to run their latest scheme for attracting new, young talent to the Channel – a film competition, aimed at young writers and directors to be sponsored by Lloyds Bank and commissioned by the Youth Department. I was running a fledgling […]

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NEW WORK NEWCASTLE: art/film crossovers, Part 3

Publish: 23 November 2012
Innovation and Feature Films So does Channel 4’s interest and involvement in an initiative like Northern Film & Media’s The Artist’s Cut represent evidence of a renewed enthusiasm on the part of the channel for artists’ film? This is undoubtedly too bold or premature a claim to make at this early stage but there are […]

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NEW WORK NEWCASTLE: art/film crossovers, Part 2

Publish: 23 October 2012
The Artist’s Cut On 12th October Northern Film & Media & Channel 4 previewed the first fruits of the Artist’s Cut initiative (see Part 1 of this article) – two new shorts by contemporary visual artists Matt Stokes and Cecilia Stenbom, entitled Two Thieves and How to Choose respectively – at the Arts TV Forum […]

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NEW WORK NEWCASTLE: art/film crossovers, Part 1

Publish: 17 October 2012
The closing plenary of our conference will take the form of a debate about the support from broadcasters (particularly Channel 4) for regional film production in the North East. One of the case-studies of this plenary will be The Artist’s Cut, a development initiative led by Newcastle-based creative industry development agency Northern Film & Media […]

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Michael Darlow – In His Own Words

Publish: 9 October 2012
Michael Darlow is a television director, writer and producer, who has also worked in theatre and film. He writes about television, theatre and film and also about rare breed Soay sheep. We interviewed Michael on 9th December 2011. Biography: Michael Darlow has directed, written and produced award-winning documentaries, arts, music and drama programmes for the […]

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Funny Money

Publish: 30 May 2012
With Channel 4’s recent announcement that an additional £1m will be invested in the development of new British comedy films under the Film4 banner, it seems like a good opportunity to reassess the Channel’s record in this area. In a future blog we will revisit and chart 30 years of funny Films on Four, but […]

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In this section:

 

The Research Project

This four-year AHRC-funded project (2010-2014) is a collaboration between the University of Portsmouth and the BUFVC, assessing the impact of Channel 4 on British film culture.

A Film4 Timeline

Between 1982 and 1998 Film on Four directly funded over 270 productions, which provided a major boost to the British film industry and created an unprecedented bridge between television and film.

Film For All Seasons

Film on Four was the flagship strand for new feature films commissioned by Channel 4 between 1982 and 1998. Here you can browse the back catalogue, season by season, as originally broadcast.

Oral History Interviews

Interviews with key personnel have been vital to our research. They reveal much about Channel 4’s contribution to British film culture, and provide valuable insights into the ecology of creativity across the UK film and television industries.

Conferences

The Portsmouth-based research project hosted a dedicated conference at BFI Southbank in November 2012 to coincide with Channel 4′s 30th anniversary. Members of the project team have also disseminated research findings at a number of other conferences in the UK and internationally.

About the project

Among its many innovations, the new Channel 4 made a commitment to fund feature film for broadcast on television and for selective cinema release. While some critics argued that it diminished cinema, many hailed Channel 4 as the saviour of the UK film industry.